![]() Here, in Waldszenen, Schumann again returns to the form of character pieces inspired by poets. The Waldszenen (Forest Scenes), however, date from a couple of weeks before his most prolific year, 1849, a year when he ventured into opera, incidental music, cycles of Lieder, concerti, salon chamber pieces, and other genres. 1-23) of the 1830s, were all born from his intense drive to win over Clara Wieck and her father, his piano teacher, and of his gaining ground as a pianist, composer, and music critic. For example, the exuberant output of keyboard pieces (opp. Most of Robert Schumann’s output was closely connected to the significance of his personal relationships and literary connections. ![]() Freundliche Landschaft (Friendly Landscape) Jäger auf der Lauer (Hunters on the Lookout)
0 Comments
Leave a Reply. |